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Dona Siona is a beautiful, light handwritten font with a unique feel and stunning impact. This will add a spark of luxury to any design project you want to create! This font is PUA encoded which means you can access all the amazing glyphs and ligatures with ease!
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La Vamora is a Modern Stylistic Serif typeface
A new serif that we created specially for branding needs, with extra ligatures and alternates in a unique shape just to add value to your brand. It so nice to leverage designer or product owner that need solutions to make their design look more stylish and modern. And specially for La Vamora font, We prepared all the ligatures, and the alternates characters to help you create unlimited variations for your creative needs.
La Vamora includes:
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Keswah is a calligraphic display font inspired by the heritage of Middle Eastern typography. Each letter is carefully drawn by hand and then digitized to add subtle stroke variations. This font is suitable for a variety of your design needs, especially for designs that require a middle eastern theme
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| Keswah |
Madromit(ma-do-ro-mi) is a somewhat nostalgic display font.
Do you remember computer advertisements in the 80s and 90s? Yes, it is the most excited period in the history of computer.
We call the design in this period Primitive Digital Design.
Madromit is, so to speak, the revival or reconstruction of the primitive digital type in the period.
The structure and elements of this font are very simple and the key features are geometric shape and simple griddy design with rounded corners, oval bowls, and right‐angled joints which we used to see in the primitive period.
In addition to this, Madromit has one more characteristic feature — classic engraving font —. It is called Open Style.
Open style is one of the classic method to decorate and emphasize the font.
Our aim is the synergy by the mixture of primitive digital design and classic engraving method.
This mixture makes new impression we have never seen before.
Madromit family consists of 5 styles for stacking color font.
Please use Photoshop or Illustrator, or your favorite graphic design apps that can handle layers.
Layers are the printing plates of wood type. You should be able to change text color for each layers.
Madromit "Standard" style is the base of this font family.
You can add open effect by stacking "Fill" layers over the Standard layer.
Instruction
1. Type your text as you like.
2. Set font-name "Madromit" and font-style "Standard".
3. Set color of "Standard" layer.
4. Duplicate the "Standard" layer to make "Fill" layer.
5. Set font-style "Half Fill" or "Full Fill" and new color of upper layer.
Madromit Standard, Half Open, and Full Open style can be used solely.
Lovely Bastilla font is a Modern Stylistic Serif typeface
A new serif that we created specially for branding needs, with extra ligatures and alternates in a unique shape just to add value to your brand. It so nice to leverage designer or product owner that need solutions to make their design look more stylish and modern. And specially for Lovely Bastilla font, We prepared all the ligatures, and the alternates characters to help you create unlimited variations for your creative needs.
Lovely Bastilla font includes:
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Tokyo Olive was designed as an homage to nostalgic display types and advertisements in the mid-late 80s.
The mid-late 80s was the era of the post-modernism and fancy-decorative design especially in Japan
In other words, it was the mixture of superficial form-operation and girly taste.
This curious design movement vanished without a trace in the 90s, but it had its moments.
Tokyo Olive has voluminous and simple geometric skeleton (for post-modern) with rounded and craft-style stencil joints (for fancy decoration).
We added a classic open style as a little spice. The mixture of those essences makes new impression we have never seen before.
Tokyo Olive family consists of 5 styles for stacking color font.
Please use Photoshop or Illustrator, or your favorite graphic design apps that can handle layers.
Layers are the printing plates of wood type. You should be able to change text color for each layer.
Tokyo Olive "Standard" style is the base of this font family.
You can add open effect by stacking "Fill" layers over the Standard layer.
Instruction
1. Type your text as you like.
2. Set font-name "Tokyo Olive" and font-style "Standard".
3. Set color of "Standard" layer.
4. Duplicate the "Standard" layer to make "Fill" layer.
5. Set font-style "Half Fill" or "Full Fill" and new color of upper layer.
Tokyo Olive Standard, Half Open, and Full Open style can be used solely.
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| Tokyo Olive |
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Bring the street to your design projects with this cool brush typeface. Dunk City is a hand brush font that's perfect for poster, branding, and packaging. With a graffiti-style calligraphy feel, its letters feature a unique style to your designs. The subtle imperfections are designed to make the typeface more lively: it's the key to opening a whole new world of brushwork.
So what’s included :
Thank You!
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Maine is a modernized book antiqua consisting of six styles and matching italics. Maine's cuts are from Light to Extrabold, of which Regular and Slightly Bolder Book are especially suitable for longer texts. Thanks to its clear features and high x-height, Maine creates a beautiful and legible body text.
Maine gives a professional, no-nonsense impression and it’s best used in editorial, books, magazines and everywhere where you can use many different styles and sizes of the same typeface. Go dignified with Maine.
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Sultan Plain is an active contemporary variable font, complete with a flexible range of cases tailored to responsive layouts
The font places itself at the boundary between two eras of contemporary typographic design, Between stillness and movement, between past exclusivity and present diversity, between the finite and the infinite.
Although it is like many of the modern Naskh fonts, Sultan Plain has amazing unique energy Which is missing by many of the fonts that we designed since the beginning of the second millennium.
The font is clear and legible in small sizes, suitable for printing for large texts, web pages, and other visual uses.
The font includes a matching Latin design and support for Arabic, Persian, Kurdish, and Urdu.
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Rainesta comes with 7 unique font styles, you can use them according to your project, whether for headlines or taglines. This font is very suitable to be applied to various other formal forms such as websites, ebooks, labels, logos, magazines, books, packaging, fashion, make-up, stationery, labels, or all kinds of advertising purposes.
Features:
7 styles
uppercase & lowercase
numbers and punctuation
multilingual
ligatures
PUA encoded
Thank you.
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BEJO is a display font in the Japanese style, with each letter having its own individual personality.
This font is appropriate for a wide range of project demands, particularly those involving Asian features. By utilizing this typeface, you will create a project with a gorgeous, original, and elegant appearance that will be remembered by many people.
Logotypes, food banners, branding, brochure, posters, movie titles, book titles, quotes, and more may all benefit from this font.
Of course, using this font in your various design projects will make them excellent and outstanding; many viewers are drawn to the striking and unusual graphic display.
Start utilizing this typeface in your projects to make them stand out.
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Suxan is a graffiti typeface with strong, forceful, modern qualities and each letter design is absolutely unique.
Not only is the shape of the letters good in this font, but the harmony and accuracy with which it is used will make your project legendary and sumptuous, so utilize it now.
This graffiti font is great for product logos, poster titles, headlines, packaging, film titles, logotypes, gorgeous writing, and trendy graffiti designs, among other things.
Of course, if you utilize this font in your numerous creative projects, they will be perfect and outstanding.
Use this typeface right away for your one-of-a-kind and remarkable projects.
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Hello, this is Graetboyz - Realistic Graffiti Tag Font!
This font was designed so that users can use it more easily and make graffiti designs easier. Greatboyz is very suitable for use in various media such as; packaging, logos, labels, posters, shirt designs, bulletins, typography, and many other media, especially with graffiti look.
Features:
That's it! If you have any questions don't hesitate to ask!
Stay Classy!
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Designed primarily for editorial use, Silva is a superfamily ideal to typographically complex environments requiring a highly versatile typeface. With slightly condensed proportions, generous x-height, moderated ascenders and descenders and robust serifs, it is an extremely readable and economic type. Subdivided in two optical sizes, the family has a total of 26 fonts including italics. Silva has an extensive character set — with extensive language support — that provides both old style and lining figures as well as their respective tabular versions, fractions, various ligatures, small capitals, arrows and a number of different symbols.
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Keizer is a serif display typeface freely inspired by the display metal fonts of the early XXth century, reminiscent of those used in cartographic and book design. Its five versions display an open-face, an inline-flared, outline and decorated capitals, and an essential titling high-contrasted serif face. Keizer works well both on print and screen, ideal for book covers, posters and logos. Every weight includes small caps, petite caps, stylistic alternates and a neat set of ornaments.
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Hokaplay - Playful Display Font
Hokaplay is a playful display font that creates with a very good concept and adjusted well to keep the legibility. Hokaplay Playful Display Font Comes with upper and lowercase Standard Characters, Punctuation, Numerals And other Glyphs variation of the OpenType features/ Ligatures.
Hokaplay Playful Display Font is suitable for logos, posters, school flyers, university banners, modern advertising design, product labels, cartoons, kid books, custom mugs, pillows, t-shirts, youtube thumbnail/cover, poster quote, editorial design, book/cover Title, website/blog, social media post, packaging designs,, and other designs.
Features;
- 2 Styles; Regular and Rounded
- Standart and special ligatures
- Uppercase, Lowercase, Number, and Punctuation
- Works on PC & Mac
- Simple installations
- Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word
- Fully accessible without additional design software.
- Mültîlíñgúãl Sùppört for; ä ö ü Ä Ö Ü ß ¿ ¡
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Caskey is a unique font with a graffiti motif, outdoor activities, and an abstract display with gorgeous graphics.
We put all of it into this typeface, which we dubbed Caskey. We also include alternates, ranging from thin to thick, to make it easier for you to use; you are free to choose whichever suits you best. Now is the time to use this typeface to bring your specific project to life.
This graffiti font is great for product logos, poster titles, headlines, packaging, film titles, logotypes, gorgeous writing, and trendy graffiti designs, among other things.
Of course, if you utilize this font in your numerous creative projects, they will be perfect and outstanding.
Use this typeface right away for your one-of-a-kind and remarkable projects.
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Redtone is a Geometric Sans serif font family, a combination of straight lines and perfect circles and sharp edges. this geometric typeface is perfect for every display.
This font has 14 fonts consisting of 7 weight from thin to bold with matching oblique.
Redtone fonts have an extended character set to support Central and Eastern European as well as Western European languages.
This font is a great choice for logo, packaging, greeting cards, presentations, headlines, lettering, posters, branding, quotes, titles, magazines, headings, web layouts, mobile applications, art quote, typography, advertising, invitations, packaging design, books, book title and more.
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Moula is a modern sans serif with a geometric touch. Containing of 18 font, 9 uprights and its matching italics.
It's shown a clean, minimalist, elegant, warmth, quirky, yet still purposed to be versatile and easy to read. Fit for various design or creative project.
Support extended language (+ Cyrillic), fractions, tabular figures, ligatures and more. Perfectly suited for graphic design and any display use. It could easily work for web, signage, corporate as well as for editorial design.
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Francesco Canovaro created Bakemono as a way to explore the design space around the duality of fixed/proportional width. He was also interested in the concept of monowidth design, inherent in monospaced typefaces, that can bring flexibility and ease of use also to proportional type - allowing you to change the weight of a word without losing the text alignment. In his research on fixed width type design he mixed the lessons of mechanical typewriter technology with the intuitions of eastern brush calligraphy, which has been dealing with for centuries with fixed space grids.
The name of the typeface comes from the Japanese shape-shifter yokais that could change their form freely between human and animal, and aptly describes the metamorphic nature of this wide superfamily coming in proportional, monospace and intermediate subfamilies. With a design mixing the expansion principles of the brush with the sharp technicality of typewriter and system fonts, Bakemono can both excel at text size in its regular widths optimized for legibility as well as owning the page at display size with its uncommon design details.
Bakemono reflects its multicultural nature with its extended latin + cyrillic charset, soon to be expanded with Bakemono Arabic (exploring the fascinating world of monospaced arabic script) and Bakemono Kana (our first experiment in cjk scripts).
• Suggested uses: born to allow you to change the weight of a word without losing the text alignment, Bakemono can both excel at text size in its regular widths optimised for legibility as well as owning the page at display size with its uncommon design details. Perfect for contemporary branding, web design, packaging and countless other projects;
• 21 styles: 7 weights x 3 different styles + 1 variable font;
• 839 glyphs in each weight;
• Useful OpenType features: Access All Alternates, Contextual Alternates, Case-Sensitive Forms, Glyph Composition / Decomposition, Denominators, Fractions, Localized Forms, Mark Positioning, Mark to Mark Positioning, Alternate Annotation Forms, Numerators, Ordinals, Scientific Inferiors, 7 Stylistic Sets, Subscript, Superscript, Slashed Zero
• 217 languages supported (extended Latin and Cyrillic alphabets): English, Spanish, Portuguese, French, Russian, German, Javanese (Latin), Vietnamese, Turkish, Italian, Polish, Afaan Oromo, Azeri, Tagalog, Sundanese (Latin), Filipino, Moldovan, Romanian, Indonesian, Dutch, Cebuano, Igbo, Malay, Uzbek (Latin), Kurdish (Latin), Swahili, Hungarian, Czech, Haitian Creole, Hiligaynon, Afrikaans, Somali, Zulu, Serbian, Swedish, Bulgarian, Shona, Quechua, Albanian, Catalan, Chichewa, Ilocano, Kikongo, Kinyarwanda, Neapolitan, Xhosa, Tshiluba, Slovak, Danish, Gikuyu, Finnish, Norwegian, Sicilian, Sotho (Southern), Kirundi, Tswana, Sotho (Northern), Belarusian (Latin), Turkmen (Latin), Bemba, Lombard, Lithuanian, Tsonga, Wolof, Jamaican, Dholuo, Galician, Ganda, Low Saxon, Waray-Waray, Makhuwa, Bikol, Kapampangan (Latin), Aymara, Ndebele, Slovenian, Tumbuka, Venetian, Genoese, Piedmontese, Swazi, Zazaki, Latvian, Nahuatl, Silesian, Bashkir (Latin), Sardinian, Estonian, Afar, Cape Verdean Creole, Maasai, Occitan, Tetum, Oshiwambo, Basque, Welsh, Chavacano, Dawan, Montenegrin, Walloon, Asturian, Kaqchikel, Ossetian (Latin), Zapotec, Frisian, Guadeloupean Creole, Q’eqchi’, Karakalpak (Latin), Crimean Tatar (Latin), Sango, Luxembourgish, Samoan, Maltese, Tzotzil, Fijian, Friulian, Icelandic, Sranan, Wayuu, Papiamento, Aromanian, Corsican, Breton, Amis, Gagauz (Latin), Māori, Tok Pisin, Tongan, Alsatian, Atayal, Kiribati, Seychellois Creole, Võro, Tahitian, Scottish Gaelic, Chamorro, Greenlandic (Kalaallisut), Kashubian, Faroese, Rarotongan, Sorbian (Upper Sorbian), Karelian (Latin), Romansh, Chickasaw, Arvanitic (Latin), Nagamese Creole, Saramaccan, Ladin, Kaingang, Palauan, Sami (Northern Sami), Sorbian (Lower Sorbian), Drehu, Wallisian, Aragonese, Mirandese, Tuvaluan, Xavante, Zuni, Montagnais, Hawaiian, Marquesan, Niuean, Yapese, Vepsian, Bislama, Hopi, Megleno-Romanian, Creek, Aranese, Rotokas, Tokelauan, Mohawk, Onĕipŏt, Warlpiri, Cimbrian, Sami (Lule Sami), Jèrriais, Arrernte, Murrinh-Patha, Kala Lagaw Ya, Cofán, Gwich’in, Seri, Sami (Southern Sami), Istro-Romanian, Wik-Mungkan, Anuta, Cornish, Sami (Inari Sami), Yindjibarndi, Noongar, Hotcąk (Latin), Meriam Mir, Manx, Shawnee, Gooniyandi, Ido, Wiradjuri, Hän, Ngiyambaa, Delaware, Potawatomi, Abenaki, Esperanto, Folkspraak, Interglossa, Interlingua, Latin, Latino sine Flexione, Lojban, Novial, Occidental, Old Icelandic, Old Norse, Slovio (Latin), Volapük